Two motorbikes that featured in The World’s Fastest Indian movie will roar back into life at this week’s Burt Munro Challenge event in Invercargill and Bluff.
The Burt Munro Challenge is being held for the 10th time from Thursday until Sunday and features six events ranging from hill and beach racing to track and road racing.
The event is named after former Invercargill resident Burt Munro who set numerous land-speed records for motorcycles with engines less than 1000cc at the Bonneville Salt Flats in Utah in the late 1950s and 1960s.
Munro’s exploits on his motorcycle were based on the 2005 feature film, The World’s Fastest Indian, some of which was filmed in Southland. Actor Anthony Hopkins played the part of Munro.
Burt Munro Challenge committee member Stephen Winteringham said they wanted to do something special to mark the 10th anniversary of the event this year.
So they have got hold of two replica motorbikes, from the Southland Museum and an Invercargill arcade, which featured in the movie a decade ago.
The bikes will be ridden in demonstrations before numerous Burt Munro Challenge events begin this week if the weather permits.
The event organisers wanted the public to see and hear the motorbikes in action for the first time since the movie a decade ago.
The motorbikes on show will be an Indian, which was ridden on Oreti Beach near Invercargill during the movie, and a Ducati which was under a fibreglass shell when ridden on the Bonneville Salt Flats during the movie.
The two people charged with riding the two motorbikes during the Burt Munro Challenge are Rhys Wilson and Francie Winteringham, the 2012 and 2014 winners of the Burt Munro family trophy.
They took the bikes for a spin for the first time on Monday, and Wilson was buzzing after riding the throaty Indian around the Teretonga track.
“Exhilarating. Every motorcyclist’s dream,” he said.
Francie Winteringham said riding the two bikes was a lifelong dream fulfilled.
“Burnt my leathers a bit, both bikes were a handful to ride, definitely unlike anything I’ve ever done.”
Stephen Winteringham also rode the Ducati around the Teretonga track, and, like Munro in the movie, burnt his leg on the exhaust pipe.
“She’s a mission, I take my hat of to Burt.”
The bikes will be ridden at Bluff prior to the hill climb on Thursday, before the Oreti Beach racing on Friday and around Teretonga track on Saturday, Winteringham said.
Many people ask us, how do we insure our Vintage Motorcycles. There are several companies that specialize in Vintage Insurance. When you insure with one of these companies you pay liability on a sliding scale. ie the more vehichles the less expensive you pay for liability, and then you set your comprehensive coverage. This makes for some reasonable rates on insurance. Condon & Skelly is one of the companies that specialize in this insurance market. Check them out for a quote.
The Indian Motorcycle Company, America’s first motorcycle company, was founded in 1901 by engineer Oscar Hedstrom and bicycle racer George Hendee. Hedstrom began affixing small engines on Hendee’s bicycles, and from there, they quickly honed their craft, creating some of the best motorcycles of that era. Just one year later, the first Indian Motorcycle that featured innovative chain drives and streamlined styling was sold to the public. Then in 1903, Hedstrom set the world motorcycle speed record, traveling at 56 mph.
The Indian brand rolled out production two years before Harley-Davidson, and these motorcycles quickly became a force to be reckoned with, introducing the first V-twin engine, the first two-speed transmission, the first adjustable front suspension, the first electric lights and starter, and many more innovations. Indian was clearly dominant in the marketplace in its beginnings, consistently setting and breaking speed records.
The motorcycle wasn’t always called such. When motorcycles began to appear in the late 19th century, there was uncertainty about what to call them. Some people called them “motocycles”. In 1923 The Hendee Manufacturing Company chose to use this term, changing their name to the Indian Motocycle Company. It was in the 1930’s that “motocycles” became known as motorcycles.
Following WWII, Indian Motorcycles struggled with re-entry into the public market and Indian was forced to halt production in 1953, despite the Indian Chief being re-introduced two years prior as a mighty 80-cubic-inch model. The following decades involved a complex web of trademark rights issues that foiled numerous attempts to revive the Indian name. But in 1998, several formerly competing companies merged to become the Indian Motorcycle Company.
It wasn’t until very recently that a new era of Indian Motorcycles was born. The Indian Thunder Stroke III engine was introduced at Daytona Bike Week in March of this year, and the 2014 Indian Chief was unveiled at the Sturgis Motorcycle Rally in August. Many motorcycle enthusiasts agree though, nothing compares to the classic and antique Indian Motorcycles.
No matter what type of classic or vintage motorcycle you own, we can insure it at Condon Skelly. Your vehicle will fall into the antique category if it is completely original and at least 25 years old. We insure many different types of antique cars, trucks, and motorcycles so we’ll be able to craft the perfect policy for your vehicle. Please contact us today for more information. (866) 291-5694
The Indian Patrol was made in Springfield Mass in 1952 & 53. Less than 50 were made and approx 7 remain in nearly complete original condition. I have met most of the other Indian Patrol survivor owners at AMCA meets, except for one that I’ve spoken to, who is in Montana. I don’t think the Patrol’s were referred to as Dispatch Tow’s as they had the vertical Warrior 2 cylinder 500cc / 30.50″ engines rather than the V type 45″ or 74″ engine used in the Dispatch Tows. If anyone could clarify this I would appreciate it. The Indian Springfield Patrol is direct shaft drive to the rear axle, not a chain drive, and should not be confused with the 1959 Indian Patrol Car’s, which were British built Pashleys. After the Indian name was put on the gas tanks, Pashleys were imported for sale through surviving dealerships as Indians. The Pashleys have a 350cc or 500cc single cylinder Royal Enfield engine like the Bullet and were chain drive. I have seen these English Indians at the Wauseon, Oley and Eustis, AMCA meets. Indian Springfield Patrols, 841’s, and the 2 prototype experimental Fours are the only shaft drive Indians ever manufactured.
There is a Patrol illustration on page 17 of Bob Stark’s Catalog (shown below) and I drive mine to Bob Stark’s spot each year at Davenport to talk with him. Most bike fans have not seen one of these running in 30 years or more. I first had mine drivable at Oley in 2008 and also rode quite a bit at the Rhinebeck National meet. I had the Patrol at Wauseon that year but could not start or drive it because of a sheared woodruff key in the primary drive, which I was able to repair in time for Davenport. The woodruff key in the primary drive has to be the weakest link in this drive train. I drove a Patrol in 1958 in Far Rockaway, NY and when I saw this Patrol listed on Ebay in 2003, I had to get it. Bob Shingler told me he had put this Patrol together from Ann Arbor, Mich. Police storage yard parts, then it went to Pete Bollenback for his museum, then to an owner in Louisiana who listed it on Ebay. The Patrols are complicated to work on and every repair involves figuring out what off of the shelf or then available parts Indian used to create this mechanical nightmare. When I work on mine, I often stop to wonder how desperate Indian was to have a machine to compete with HD Servicars. I’ve been told that HD dealers offered handsome trade in prices to get the Patrols off the road and then scrapped them, saving only the engines. You may have heard of the six V-twin,Scout 45 cubic inch engined Dispatch Tows made in 1951, I know several of these owners and those 6 with the less than 50 Patrols represent all of Indians 3 wheel production after 1942.
Indian Patrols are a 500cc Warrior from the seat post forward, the primary cases are unique and made for the combination 80″ Chief and 249 compensator using a 3 row sport scout chain. The chain tensioner foot was made up to fit the wider primary cases which also have a larger pocket for the chief size compensator. There is no clutch, just a 3 row sprocket which drives through a Boston Gear angle drive box using Indian 4 cylinder gears. That box was modified to fit around the seat post. The bell housing is stamped 102-S and the flywheel housing is stamped 103-S. They are from some unknown brand, (which I would sure like to identify), using a Crosley clutch, mystery aluminum flywheel, Crosley T92 trans and rear end with 1952 Studebaker Champion hydraulic brakes. The only electric start Indians were the 1952 -53 Patrols and the 1914 Hendee Special. The only Indian shaft drive models are the 841’s, Patrols and the 2 experimental Four cylinders. Besides the 1914 Hendee Special, this is the only other, from the “factory”, electric start Indian that was made and is “only electric start”, no kicker at all. It has a car type electric starter using a large 6 volt group 1 car battery. The Patrol also has hydraulic brakes like the six rare Scout 45” V-twin 1951 Dispatch Tows that Indian put together in 1951, which are kick start only. After 1942 Indian didn’t have any 3 wheelers to compete with HD’s Servi-Cars until they started making these models in 1951 – 1953
Maintenance is difficult because of the way these were put together, plus there are no Patrol repair manuals and little information available. It took me 2 years to discover the gears I needed for the Boston Gear angle drive box, were standard Indian Four cylinder spiral bevel gears, which drive the car type flywheel and single plate Crosley clutch. I am still debugging this machine, getting everything operational and not concerned with cosmetic restoration yet. When I got this bike there were two non-consecutive teeth missing from the large gear in the angle drive box. Because they were spiral bevel gears some teeth always seemed to be engaging. After a two year search I found the gear I needed on Rocky and Toney’s table at Davenport. Toney said it was the large gear from the Indian four cylinder 18×27 tooth pair. My guess is that those who tried to get this running before I was able to, failed when each time the gears would lock up, the flywheel would stop causing the woodruff key in the primary to shear. Since this was only an electric start machine the key had to be replaced for each try. Someone in the past had also left the spring to cam thrust washer out of the torque compensator assembly, so that only the small weak spring was pressing against the sliding cam. The large Chief spring was pressing against the sprocket itself and lifting the primary chain off of the teeth. This cam setup will not travel over center or ratchet, but the back and forth hammering from just the weak spring pressure was also beating on the key. After installing the new gear, correcting the compensator problems and chamfering the flywheel pilot bearing counterbore so that the inner race was free to turn, everything looked good. I cleaned the gas tank which was loaded with paint overspray, rust and some kind of dark gray sealer, thoroughly cleaned the Amal carb and was finally able to keep the engine running for more than two minutes. The magneto cam advance weights were also sticking, causing a second engine start with fully advanced timing. When advanced this would kick back also hammering that poor woodruff key. I replaced the magneto with a distributor so that starting and timing are now much easier. The shift mechanism is another ongoing problem that needs some modification work. My Patrol was in an article in the Perkiomen Chapter newsletter in Sept. 2008, Walneck’s Classic Cycle Trader for Sept 2009 and also in Steve Blankard’s last column in the AMCA Quarterly a year ago. I think that was the winter 2009 issue. I have displayed my Patrol at; Oley in 2008, Davenport 2008, the Rhinebeck Timeline in 2010 and the 2010 Davenport Vertical Models Lineup and drive it as much as possible at swap meets.
Here’s a list of some of the unique Patrol parts. Handlebars – are 7/8″ with a collar welded on for the left hand 1″ throttle. Front wheel – is laced with a stronger 741 rim. Torque compensator – is a combination of 80″ chief and 249 scout. The chief type hex nut is a left hand thread and uses a hidden, under the spring, set screw instead of a lock nut. If the set screw is not backed out, the quill threads are stripped off when removing the nut making reassembly difficult. Primary cases – are wider for the three row chain and have one less screw where the large compensator hub was added. The chain tensioner foot was made up for the three row chain. Boston gear angle drive box – was milled out to clear the seat post, the typical mounting flanges were cut off and slots were cut for the large gear to be put inside. Indian used standard bearings and seals, but made the shafts to use the four cylinder 18×27 gear set.I ground off a few interior webs, drilled and tapped a few jack screw holes in the left side cover to make future disassembly easier. Flywheel housing – is stamped 103-S, but has to be from some available engine as Indian made up a 1/4″ steel plate to use it. I WOULD SURE LIKE TO KNOW WHAT IT IS FROM. Bell housing – is stamped 102-S, After watching Ebay for years one of these finally showed up and I haven’t a clue what it was used on. IF YOU KNOW PLEASE TELL ME Flywheel – is an aluminum casting or forging that must have been an available part. It uses four mounting bolts, while Crosley only used three. If Indian made this up themself, I would expect something fully machined from flat stock with no obvious grain or surface roughness. IF ANYONE CAN IDENTIFY THIS PART – I WOULD SURE LIKE TO KNOW. Starter – is CCW drive and was made especially by Auto-Lite for Indian Patrols. Generator – is also CCW rotation and came from a Galion road grader. Trans & Rear – Crosley – with a short aluminum casting instead of the long torque tube. Rear brakes – hydraulic 1952 Studebaker Champion It is easy to see where repairing these Patrols became impractical, leaving them abandoned like the bunch of parts Bob Shingler found in the Michigan Police yard. Bob put the one together that I own now. Luckily I was able to spend several hours listening to him at Davenport. Bob also had an awesome collection of literature and early Patrol magazine ads that I hope have been saved. If anyone has any old pictures or information about these rare 3 wheelers I would be glad to contribute toward document copying costs. There was some interesting dialogue on the Virtual Indian website pertaining to an Indian Warrior based Dispatch Tow that showed up a few years ago at the Pennsylvania flea market for Das Awkscht Fescht. This same un-restored machine is in the Oley picture attached to this article. This un-restored bike was the very same Patrol that Jim Garrett owned and drove as a 17 year old, he bought it back and he is restoring it now. The first picture attached is me, Wayne Lensu, at Davenport in 2008 with my drivable 1952 Patrol. The other pictures show some of these unique parts used assembling the Patrols.
Australia’s debut motorcycle show organized by Troy Bayliss – Moto Expo – will feature something truly unique this year – the “Million Dollar Row.”
This Million Dollar Row showcase will feature over $5 million worth of unique and custom motorcycles at this weekend’s inaugural Moto Expo presented by InsureMyRide.
Located in Hall 2 at Melbourne Showgrounds, the Million Dollar Row will contain 10 motorcycles, including a 1941 Crocker worth over $450,000 courtesy of Harley City. Other special bikes will be the Y2K jet-powered motorcycle and the Virus courtesy of Antique Motorcycles’ John Straw.
The event is organized by Troy Bayliss – a known name in the world of Ducati and World Superbike.
Speaking of the show, Bayliss says “The variety of bikes within MOTO EXPO will capture the eye of motorcycle enthusiasts coming from all over Australia.
“I am really excited about the collection of bikes featured within Hall 2. Million Dollar Row, the Great Race display of Harley-Davidsons and Indians, Simon Davidson’s photo exhibition and cafe racers will create an incredible display.
“The custom Yamaha motorcycles on the Gasolina stand along with the custom Harley Davidson motorcycles on the Kustom Kummune stand along with best bikes from the recent Oil Stained Brain display will also be a major feature within this space.
“One day in the future we may see some of the new bikes being released at MOTO EXPO have the same prestige as the bikes on display within this hall.”
Additional information courtesy of Moto Expo:
Hall 2 will also host Peter Arundel’s 1924 8 Valve Indian Motorcycle, displayed alongside an exhibition of images taken over on the Bonneville Salt Flats in Utah and on Lake Gairdner in South Australia by renowned Australian photographer Simon Davidson.
Arundel set a World Speed Record in 2002 riding the motorcycle on Lake Gairdner, South Australia with a speed of 158.73mph.
The Great Race will display 40 vintage Harley Davidson and Indian Motorcycles including a special selection from the coveted Arundel collection.
The Arundel collection boasts the most comprehensive list of Australian racing Indians motorcycles.
Over 20,000 motorcycle enthusiasts are expected to attend MOTO EXPO Melbourne over the three-days of the event.Burt Munro’s record-breaking replica of the world’s fastest Indian is expected to be a show-stopper. The motorcycle will be housed as part of the Indian display.
Entry into the show also includes access to the Baylisstic Scramble presented by InsureMyRide and Motul and the Australian Motorcycle Finance Head-2-Head EnduroCross presented by Yamaha.
Visitors can expect to see some of Australia’s most successful motorcycle athletes along with entertainment including live street bike stunts, ATV, side by sides (UTV), mini moto, Freestyle Moto X, Trials and more
With 10 minutes to go until the main event of the Cleon Graber estate sale late last week — the sale of a rare, 1904 Indian Camelback motorcycle — Lindy Graber admitted he was “a little nervous; a little emotional” as he watched the public buy bits and pieces of his father’s vast collection.
He also admitted he had a preference as to who might win his father’s rare and valuable motorcycle, an auction item that helped draw hundreds of onlookers to the Wieman Land and Auction building outside of Marion Friday, April 10.
“It would be nice if it would stay in South Dakota,” Lindy said.
Oh, it’s staying in South Dakota, all right.
It’s not even leaving the family.
In a surprising twist, Lindy and the Graber family bought back Cleon’s classic motorcycle with a winning bid of $100,000, making for a bittersweet conclusion to a sale item that had drawn considerable hype; both Jay Leno and the Sturgis Motorcycle Museum had both reportedly showed interest in the artifact.
“We had a number that we didn’t want to let it go for,” Lindy told the Courier afterward. “We were hoping it would go for a little more than it did, but that’s the way it goes.”
He said the family buying back Cleon’s 1904 Camelback was always a possibility — “a slight possibility,” he said — and that the Grabers might try to sell it again.
“I’d like to take it to some shows, get it out in the public some more,” Lindy said.
Until then, the rare find will remain with the family it’s been with since Cleon bought the motorcycle in the mid-70s; it was a purchase that came about only because of Cleon’s persistence.
Lindy said his father, an avid collector who had a particular love for engines and transportation, was tipped off about the 1904 Camelback from a fellow collector in the community.
Cleon went to visit the motorcycle owner in the Springfield area, only to be turned down.
“Dad went back several times,” Lindy said, finally striking a deal with the owner after health issues prompted the owner to reconsider its sale.
With the Camelback Cleon’s, it took up residence in a machine shed on the Graber farm east of Freeman where it sat.
Other than some minor changes to its 1904 condition, the Camelback is original. The tires were in bad shape when Cleon purchased it and were replaced; the battery box is not original and the decompression lever used to start the motorcycle has been altered.
Lindy said the motorcycle hasn’t run since it’s been in the family’s possession; they tried to start it about five years after Cleon bought it “and it spit and sputtered a bit.”
But the motor is in such good shape, he said, “I don’t see why it wouldn’t run.”
Lindy believes one of the reasons his dad never worked harder to get it going was because he didn’t want to damage the motorcycle; “He recognized how rare it was.”
Its rarity was noted by Wieman Land and Auction at last Friday’s sale; a video presentation that included an interview with Lindy was shown before the live bidding began and online offers had started coming in up to two weeks before Friday’s sale.
Auctioneers called it “a chance to buy history.”
The opening live bid was $30,500 and quickly climbed to above $70,000 before slowing and eventually topping out at Lindy’s bid of $100,000 — despite the auctioneers’ pleas for somebody to come in at $102,500.
Rich Wieman told the Courier in the days following the sale that they really had no idea how much the 1904 Camelback would bring; research showed similar models going for between $50,000 and $85,000 and, in 2012, one model that was billed as the oldest unrestored Indian motorcycle brought $155,000.
“It was one of those things where you didn’t know for sure what it was worth,” Rich said. “Coffee talk had it going anywhere from $50,000 to $200,000, so we really didn’t know what to expect.”
“It could have brought more,” he said, “but it wasn’t a bad price in this market.”
And, he said, the motorcycle’s sentimental value to the Graber family is worth a lot; “Lindy has a lot of love for that sort of thing, anyway.”
As for being able to auction off something as rare as Graber’s motorcycle, Rich called it “a privilege and an honor” and said they enjoyed monitoring the online bids that came in from across the country starting at $100 and climbing up to $30,500 — the starting point on Friday. “It commanded a lot of attention and that’s what makes it so much fun.
“It’s always fun to sell something that is out of the norm.”
Rich could not verify or deny that Jay Leno’s buyers were among those bidding, but he said the Wiemans had reached out to the celebrity who has a taste for vintage motorcycles in a number of ways.
“I know there was talk that he had voiced interest in several different online forums,” Rich said. “But with online bidding, it’s pretty easy to remain anonymous.”
That Lindy ended up with his father’s 1904 motorcycle is fitting, he concluded.
“It’s a piece of South Dakota history,” said Rich.
John Gee’s extraordinary Antique Motorcycles collection
Antique Motorcycles, in Moorabbin, outside Melbourne, Australia(Credit: Loz Blain/New Atlas)
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Tucked away in Melbourne’s urban sprawl is one of Australia’s true hidden gems. Antique Motorcycles features the amazing and ever-changing motorcycle collection of owner John Gee, who was nice enough to take us on a guided tour and tell us about some of his favorite machines.
I’ve lived in Melbourne, Australia nearly 40 years, and been into motorcycles for about half that – and yet this hidden treasure has somehow managed to remain completely off my radar until now. Tucked away beside Moorabbin Airport is a historic motorcycling wonderland, almost a museum, built on one man’s personal collection.
Antique Motorcycles is a monument to owner John Gee’s passion for anything interesting with two wheels. Walking in the front door, through the cafe/bar area, you step into a huge showroom/museum area where dozens upon dozens of bikes sit in beautifully chaotic displays. Model planes, minibikes, snowmobiles, bicycles and speedway cars hang from the rafters, and the place is chock-full of all kinds of memorabilia.
John took the time to take us through the museum area and talk about a few of his many favourites. We’ll let him take it from here in his own words:
Antique Motorcycles started in 1988, believe it or not. I’ve been going to the States since 88, buying classic bikes and bringing them back to Australia.
I got bitten by the motorcycle bug as an 8-year-old and the bug kept getting worse. By the time I was an apprentice motorcycle mechanic at 17, I owned half a dozen road bikes that I kept at a friend’s house so my parents wouldn’t know. It was around this time I started buying and selling bikes, and building a collection.
In the late 80s, I was traveling across the United States, and I noticed that Triumphs, Nortons and BSAs were cheap. So I planned a trip over there, went and bought 30-odd bikes, shipped them back, and I’d spend the year doing them up in the garage. Eventually when you amass a collection of motorcycles it attracts other people with the same passion. Before you know it, you’re importing bikes for other people and working on their projects for them. One day you wake up and you own a motorcycle shop! It doesn’t happen overnight, but if you do it long enough, you end up with a place like this.
We’ve got a bit of everything here. I’ve got a pretty big mini-bike collection – a hangover from that bug I had as a kid. I prefer original condition bikes. I’ve spent most of my life taking chopper forks and handlebars and Craig Vetter fairings and touring bags off motorcycles and returning them to their original condition. I’ve got choppers from the 70s, I’ve got turbo bikes, I like my British bikes, I love my German bikes … but Indians is my #1 passion.
We became a dealer for Indian about 12 months ago. We’re very happy to sell them, they’re not a hard product to sell at all. They sell themselves out of the box because they’re such a good bike. It’s great to see a serious competitor to Harley Davidson.
Destroyer II – Billy Gibbons’ custom Kawasaki Z1R
We’ve got a lot of famous stuff here … This is a bike that Billy Gibbons, from ZZ Top, had made. He called it Destroyer II, because that’s the kind of guitar he plays.
He got a ’78 Z1R turbo, which was probably one of the most expensive bikes available on the day, and he sent it back to the factory. They put a stage 3 kit in it, which is a bigger sump, a welded crank, 6:1 forged turbo pistons, undercut the gearbox, all that sort of stuff.
Then they sent it off to this mob called RC Hill’s of Orlando, and they did all the gold plating, and the painting, and the custom work.
We haven’t restored the seat, because the seat had Billy Gibbons on it. The time’s come, it sort of needs to be done, but I’ve held back, because it’s Billy’s own seat. Pretty cool bike, it’s only done about 6,000 miles.
I found it in a collection in Michigan. I was buying about 20-odd bikes off one guy. It was in a pretty poor state. But they were the fastest bike in the world at the time. They still currently hold the record for an 11-second quarter mile, sitting on the bike backwards. Quite incredible!
Mad Max Honda Four
This bike here’s out of Mad Max. The guy lived five Ks from here, and he came in and said he had an old Honda and he wanted to sell it. I went and looked at it, I didn’t know it was out of Mad Max, he wanted too much money … I was leaving, I was in the car ready to drive away.
But just as I was leaving, he told me the story of how he rode the thing in Mad Max, and I quickly changed my mind and bought it. There’s a picture of it, right here… There was only two Honda Fours in the film.
When you watch the movie and slow it down, you can see the Star mags, you can see the twin-disc front end, which is unusual for a Honda, they only had a single disc front end. And you can see the calipers are behind the fork – normally Hondas had the caliper in front. He customized his own bike, way back when, ’74 or 5.
They had a Mad Max reunion last year. We all went to Clunes. And they had just about every vehicle from every Mad Max film made. All the people in the clothing and whatnot.
I had this bike there, and nobody knew about it – it doesn’t exactly jump off the page. By the end of the weekend, I found out I had the only genuine vehicle out of any of the Mad Max films at the event. There were at least 10 Interceptor cars, and the MFP police cars, 10 or 12 of those … There’s a lot of passion out of there for Mad Max.
TZ750 race bike
Here’s a TZ750, this was one of Trevor Flood’s bikes. Reputedly raced by Michael Dowson … and Kevin McGee in the ’84 Swann series. I think they raced it to second place in the championship.
It’s a GP bike you could buy off the shelf. This one’s got around 130 horse, it’s running Lectron flat-slides, White Power suspension, Dymag wheels and Brembo brakes. All products that the Floods were the importers for at the time. I bought it from a deceased estate about 25 years ago.
I’ve ridden this one on track. You go flat chat down Phillip Island straight, and when you hit the hump where the tunnel goes underneath, the thing does a huge wheelstand and you have to back off. Whenever you ride this bike, you have the utmost respect for it. When you get off in the pits, you’re shaking, and you go “whew… I lived!”
2002 Indian Chief: Schwarzenegger bike from Terminator 3
This is out of Terminator 3, Arnie Schwarzenegger. They made four bikes, they destroyed two, and two survived. This is the one he actually rode in the scene where they’re chasing the crane truck, and the crane’s jib is pointed sideways and the whole world’s blowing up. It’s taking down the power lines, flipping all the parked cars upside down. Pretty spectacular scene.
This particular Indian was known as the Gilroy Indian. Made in Gilroy, California. Not to be confused with the Polaris product of current times, which is a much superior motorcycle. The chase scene was only a small part of the movie, but Indian fans would’ve been sure to notice what Arnie was riding. It was the first time an Indian had been used in a movie in a very long time. They had a lot to live up to, as previous Terminator chase scenes involving Harleys were also spectacular.
Honda CBX1000 Turbo
In 1978, Honda came out with the CBX1000 six cylinder. A stunning bike, with a motor that was described as “a block of flats.” Absolutely an instant classic. So what to do to improve it?
Meet the Honda CBX turbo! They only made 10 kits, which were dealer fitted. They weren’t factory endorsed, but the factory would’ve been happy they had a product that could run with the Kawasaki Z1R turbos of the time … So that’s one of ten of those. I’ve had a fascination for turbos and have owned many examples, from all the four Japanese brands. I currently still have quite a few, and also some pretty wild Frankenstein home-built turbo bikes. Always fun.
This kit doubles whatever horsepower it had. What’d they have, like, 75 horsepower new? Not much … It might have 140 now.
1942 Harley-Davidson WLA
This WLA was restored by the US army, it’s probably the best example of a WLA in the world. It’s cool shit. Like all bikes here, it goes. Bit of fuel, bit of choke, couple of prime kicks, ignition … (bike starts) Hey? Not bad!
It had the radio instead of the Thompson machine gun. It’s a communication bike. It’s probably the best example of a WLA in the world, since it was restored by the army. It’s not like WLAs are very rare – they made 90,000 of them. But they are rare to find like this.
I didn’t have to do any work on it. The work I had to do was count out the bills and hand ’em over. Haha! Serious stuff. This bike is now owned by one of our very best customers, and is part of his extensive collection.
1951 Harley-Davidson WR
WR Harley-Davidson up there, a 1951 WR, they made 23 in the world. That was Harley’s weapon on the flat tracks. This bike comes from one of the oldest Harley Davidson shops in the USA. It was a spare bike that only saw a few practice laps in its life.
In ’52, they already had the KR top end on the WR – the WR was on its way to morphing into the KR. By ’53, WRs were gone and the KR was born. Very fast bike for the time. They’d pull wheelstands down the main straight at over 80 miles an hour, I’ve seen it myself at the Davenport flat track.
1966 Triumph Bonneville XR750
That’s a Triumph. We use that to test whether people know their shit or not. You just failed. Haha! I just put a Harley tank on a Triumph, because it fit … I was building a bike to race in New Zealand at the Burt Monroe challenge, and the tank came up in Just Bikes magazine, and it had a brand new paint job on it, so I stuck it on there. I was reluctant to take the Harley badge off, because I didn’t know if I was going to keep that tank.
One thing led to another, next thing, people are coming in and telling us they used to have one exactly like it … We left it on there for a bit of fun, we use it to qualify people. It’s amazing how many people will swear black and blue, that that’s exactly how the one they owned was – much to our bewilderment!
1975 Hercules Wankel
We’ve got two Hercules rotaries, we’ve got two Norton rotaries, the water-cooled and the air-cooled, and a Suzuki RE5 Wankel.
They’re a different thing to ride. We don’t call ’em a motorcycle, we call ’em rotorcycles. They’re a bit … heavy and slow to get going, but they’re quirky, and we still like ’em. When I was an apprentice motorcycle mechanic, we used to work on these things. I’ve got fond memories. We used to look at the engine and go “what the hell do you do with that?”
The Hercules is a very surprising motorcycle to ride. It is very quick off the line, it has unexpected power delivery, and it’s very quick and nimble. Quite the opposite to the Suzuki RE5.
The Garage display
That’s the old garage. We use all the stuff in here. It’s all rare stuff. ’23 Indian, there’s a ’39 Indian engine, a ’38 Indian engine, all kinds of important stuff in there. Transmissions, magnetos, carburetors … Whenever we’re restoring an old bike, this is where we come to get our bits.
We did it up like an old ’20’s servo you’d find in outback Australia. Couple of gas pumps out the front, a collection of stuff under a lean-to. We’ve got a bit of junk piled up in there today, it’s not really as good a display as it normally is …
Steve McQueen sidecar
Chad McQueen was just in Australia. I know Chad from the States, he’s one of those identities that kind of turns up at a lot of things.
I met him up at the Rock Store once, up on Mulholland Drive. He was driving an old Porsche. I just noticed this car, you know, it had cut slicks, and a full camber job, and all the body panels were fiberglass, and racing seats … It was a pretty rough old looking car.
I was looking at it, and this guy yells out from across the street, “get in! knock yourself out!” Like Americans do … Next minute, of course, he’s there, and he’s on for a chat. I was asking questions about his car, like how fast does it go, it looks pretty serious … He said “aw look, I’ve lost my nerve these days, after I hit the wall at Daytona doing 200 …” I was thinking to myself, typical American, bragging, or making up stories …
Anyway, he said “what’ve you guys got?” Well, I told him we had a rental car and we weren’t very proud of it, we’d parked it ’round the corner. But we’re into Indian motorcycles in a big way, and that’s what we ride at home. He said he had an Indian motorcycle with a sidecar. So we listened to his story about that. And I said, well, I’m not a fan of sidecars, but I do have one. I only keep it because it belonged to Steve McQueen … And he said “well that mah daddy!” And then I realized, shit, this is Chad McQueen – and that story about hitting the wall at Daytona at 200, that was actually true!
That’s the sidecar up there, and that’s the bike it was on, down below. It got caught in a fire at my previous address – one of the buildings burned down. It got a bit singed, but it’s still in pretty good condition. And I told him about it. He remembered the bike – and he said he hated it, because his dad used to make him polish it! Pretty funny.
1951 Indian Squad bike
This is my favourite Indian, it’s a 1951 New York police bike. It’s got a siren on it, still. I bought it off the original cop. Some of the towns, depends where you came from, you had to own the bike to be a cop. I don’t think that’s what happened to him, I think this was a fleet bike.
It was never a pursuit bike, it was a parade bike. So, when the president or whoever came to town, there’d be two of these out in front and two behind as a police escort, that kind of thing.
I’ve ridden it around the grand canyon, I’ve ridden it around New Zealand … It’s been my rider for about 25 years now. I can’t put my finger on why, this bike has something that reaches out to me. Whenever I’m going out for a ride, I look round the shop, and I always end up choosing this one. Actually I’d better get that bike up on the bench, I’ll be riding it the weekend after next. We’re going up to Mansfield in the high country. We’re doing the 25th annual Great Race – Harley vs. Indian.
2016 Indian Scout custom cafe racer
Here’s one we’re building right now, a cafe racer, something a bit different. It’s home grown, right here. We’re just giving people examples of what can be done using a Scout as a base. It’s about getting people’s imagination going, so they can then buy a bike and either get us to customize it, or run off and go and customize it themselves. It’s an awesome platform – 100 horsepower and very nimble handling.
1974 Norton Commando (supercharged)
There’s another bike up here that’s a bit far out … That’s a supercharged Norton Commando. You could buy a kit back in the 70s, bolt on a Drouin supercharger, and double your horsepower. So that’s just one that I knocked up. It’s a … let me think, a ’74 Commando. It’s got a Dunstall kit, Norman Hyde fork brace, alloy rims and clip-ons, a 2-into-1 exhaust …
Not everything’s for sale. Obviously I got into this because I was passionate about bikes and I wanted to build a collection of bikes. All of a sudden you end up being a motorcycle shop, and you’re buying and selling and you’re head-first into it.
But my passion is still collecting. And there’s still plenty of bikes on my bucket list that I want to get before I’m done. So once in a while, maybe I’ll sell a couple of bikes to get something else on my bucket list. It’s about experiencing them.
I got to about 130 bikes in my collection, that was stupid, I couldn’t keep the tires pumped up. It was a major job just looking after them, and there were bikes in there that were quite rough. So I cut it back. I’m probably at about 70 or something at the moment. I try to keep it round about there.
I’ve got a warehouse over the road, I keep a bunch more over there. I like to swap ’em around, keep it all alive. This isn’t a museum you walk into one time – you come back next week, it’s different. Come back the week after, it’s different again. There’s always a reason to come back.
Same with the museum we’re building upstairs. I know a lot of people with collections of very rare and exotic motorcycles. We’ll do a Brough Superior display, we’ll do a Harley-Davidson display, we’ll do all sorts of things, maybe an American brand display with Thors and Merkels and Popes, things like that. It’s always going to be changing, so it’s important to keep coming back.
Friday nights we have our Tapas night, which is where we open the bar and get drunk. There’s some live music, lots of fun. Two bands every Friday, and the cafe’s open every day except Sunday. So there’s the new Indian dealership, and the workshop and the team of mechanics. We work on vintage and classic bikes, which not a lot of shops would touch.
We’ve also got the Classic Racer Club based at the shop, we have rides every Saturday morning, 8 o’clock, heading off in whatever direction the riders choose on the day. Anywhere between 5 and 40 bikes, it depends who turns up.
After several hours chatting with John and photographing the bikes out back, I never felt like I’d scratched the surface of what’s in there – and John’s perfectly happy about that, telling me I should come back again and feature more of the bikes he rotates in and out of the museum.
We might take you up on that, John! There’s a ton of other stuff in the shop we’d love to feature.
As we follow the travels of the latest Indian Revival, let’s look back at the history of Indian Revivals, with this reprint from 1968. INDIAN! That magic name recalls the days when All‑American motorcycles, ridden by Red‑Blooded American men, accepted victory as their due at the Isle of Man TT, the GPs of Belgium and Argentina, the sands of Daytona Beach, and every board bowl and marbled flat track from Reading to El Centro. The distinctive bark of the flathead twin became part of the heartbeat of generations of American boys. There was no other Indian but the red Indian from the Wigwam at Springfield, Mass.,glowing redly, frame sharp black, smelling of heated metal and fuel, eager for the challenge of throughway or crooked lane. Indian!
If General George Armstrong Custer himself had been put in charge of the Indian works, the post‑World War II massacre of Indian hopes, plans, production, and racing victory could not have been more complete. The Indian tribe died 14 years ago. Yes, the name limped along with some Britishers masquerading in tawdry beads and trade blankets, but Indian, the Indian died.
Ordinarily, it would be safe to state flatly, “The Indian has gone to the Happy Hunting Ground.”
But has it? Those who decry the passing of the Great Red Motorcycle haven’t reckoned with the greatest Indian agent of ‘em all, Sam Pierce. In 43 years of riding, repairing, and haranguing at length on the real and fancied proclivities of Indian motorcycles, Sam, in profile view, has come to resemble the familiar hook‑nosed redman, emblem of Indian. With longer, darker hair, and some feathers entwined therein, Sam could stand as his own trademark signature illustration for the American Indian Motorcycle Co., his company, the outfit that has breathed new life into the once‑expired Indian.
Yes! Indian lives! Where Spanish Padres over a century ago built a mission for settlement of American aborigines, there now exists a neo‑Indian, an American Indian, built by Sam Pierce’s hands as a prototype machine, tribal leader for the American Indian Motorcycle Co. of San Gabriel, Calif.
There it is, the Indian “Super Scout,” frame black as the inside of a mystic Kiva, tank red as warpaint ‑albeit metalflake red as a concession to modern times and this first of new Indians carries well the echoing names of its forbearers Prince, Chief, Warrior, Scout.
Indeed, the frame is Warrior, drawn from the vast stock of Indian motorcycle frames Sam Pierce has gathered from across the land over the years since ’53. Lithe as its namesake, fabricated of chrome‑moly steel in single toptube, single downtube configuration, the Super Scout frame carries Indian’s own telescopic, hydraulically damped fork forward, and rigid axle mounting at the rear. The fork is fitted with new seals and compound springs ‑ more modem practice ‑ but that rigid rear end is purely Indian. Sam plans to build rigid frame models for those who desire, plunger frame units for those who want them, and swinging arm Indians for the third group, though the latter may be custom fabricated.
“Forty‑five inches, forty‑five horsepower,” is how Sam describes his 45‑cu. in. flathead Indian engine ‑also built from stacks of cylinder barrels, a broom closet full of Timkin crankpins, drawers full of pistons, boxes of bearings, shelves of crankcase castings, and the hodgepodge of American standard thread nuts and bolts that make up the utterly indescribable ordered confusion that comprises Sam Pierce’s one Indian‑a‑day assembly plant.
Indian power need not be solely from 45‑cu. in. engines. For a thousand bucks, plus a few hundred or so more or less, Sam will recreate the Indian of his customer’s heart’s desire. The 30.50 (500 cc), or 600, 825 or 900 cc are available to the latter‑day Indian buyer. The engines are there, new or restored to mint condition, with freshly forged pistons and rods, glinting in the newness that abounded at the Wigwam 30 and 40 years ago.
Among the heads, liners, brakes, wheels, spokes, and tanks, is the collection of transmissions, some removed from defunct Indians, some discovered in a distant warehouse, embalmed in cosmoline, as if preserved especially against the day of resurrection in Pierce’s shop. The prototype Indian Super Scout is fitted with 4.02:1 Scout gearing, driven through the notoriously grabby‑when‑cold Indian assembly known to every schoolboy in the 1930s as the “suicide clutch.”
This left foot operated clutch, in conjunction to a left hand shift lever, complete with aluminum Indian head knob, comprises a gear change mechanism that is classic. Pierce, however, will locate the shift lever to customer taste, or, if present plans don’t go awry, fit more currently conventional left hand clutch, left foot change lever controls. However, Sam clearly regards this modification as something akin to leprosy, something unclean, un‑American, un‑Indian.
The red metalflake fuel/oil tank/seat combination is a molded fiberglass product of Don Jones and American Competition Frames. The sleek unit construction tank/ seat gives the newest of Indians a very healthy, competitive, contemporary appearance ‑ and contributes to the motorcycle’s lightweight, a mere 296 lb. without lighting equipment. Though Pierce minimizes the fact, in preference to redskin red, the tank/seat is available in any color.
Electricals are standard Autolite components ‑American as . . . as . . . as Indians. The chain driven generator for the prototype Scout 11 is clamped to the downtube, forward of the engine. However, if the buyer desires, this unit may‑be tucked neatly under the battery box and gear driven off the rear of the clutch housing. This simply is one more roll‑your‑own feature offered by Pierce’s American Indian Motorcycle Co.
Pierce has combed the U.S., from cliffdweller country to the land of the moundbuilders, for parts. He has bought out the stocks of numerous dealers who once sold and serviced the great red machines.
The answer to that question was laced with exquisite badmouth for the HarleyDavidson Motorcycle Co., its people, and the machines it produces, but when the answer did filter through, it was as clear as human conviction can be. Sam Pierce said: “I aim to build what I think is the best motorcycle ever.”
After that one concise statement, Sam said he believes his American Indian will appeal to the sport rider, the individual who desires a motorcycle that can be flipped end over end and continue on in the brush, or can cruise at 75 mph when called upon for a day’s tour of the turnpikes.
Folding footpegs and riser handlebars, alloy engine mounting plates of Sam’s own design, a hearty mixture of absolutely standard Indian parts, and “$25 per cu. in., with lights, and a guaranteed 100 mph” are part of the Super Scout of the 1960s.
“I’m setting up for 300 machines. I plan to build one a day ‑ and I figure to sell ‘em faster than I can build ‘em. And, I’ve got enough Indian parts to keep all the Indians in the world running for the next 2000 years.”
The old‑time motordrome rider, the flat tracker who showed numerous competitors the hind end of an Indian through a haze of dust and castor oil, exudes confidence that the American Indian Motorcycle, indeed, will live on for 2000 years and that he’ll be around to try for 3000.
The boast is brash. The boast is Sam Pierce. He will turn out 300 American Indian Motorcycles at $1000 per copy.
Even in the shadow of the full‑to‑bursting parts warehouse, the incubator of the new American Indian Super Scout, Sam Pierce, now 54 years of age, is forced into this admission: “I can’t go on forever.”
Mike Wolfe is known as an American picker. He’s a TV star, author and entrepreneur.
But mostly, he’d tell you, he’s an Indian Motorcycle® enthusiast. He loves them for their history and heritage, and for their ride. His “best pick – ever” (and what got him in the business full-time) was when he scored a treasure trove of Indian® motorcycles at a Pennsylvania farm.
Mike called the farmer about his classified ad, then drove 800 miles and slept in his van in the farmer’s driveway. The next day, the farmer opened two barns, revealing 10 vintage Indian® motorcycles and tons of parts. Mike Wolfe discovered heaven on earth.
In his picking business, Mike encounters antiques of every kind. But his greatest picking passion is Indian® motorcycles. He collects them. Gets them running. And mostly, he rides. He loves dings, dents, scratches and rust. Forget cosmetics or fresh paint. Just ride. After all, it’s an Indian®.
Indian Motorcycle is excited to be working and riding with Mike Wolfe. He’s helping us bring back the passion this iconic brand deserves, and is energized to ride with us into the exciting next chapter of Indian Motorcycle® history.